BRETON girls hand both hers

Breton-American Collection {Pendragon} (MF nc 1st etc.) Breton-American Collection Uther Pendragon anon584c@nyx.net IF YOU ARE UNDER THE AGE OF 18, or otherwise forbidden by law to read electronically transmitted erotic material, please go do something else. This material is Copyright, 2001, Uther Pendragon. All rights reserved. I specifically grant the right of downloading and keeping ONE electronic copy for your personal reading so long as this notice is included. I would prefer to do my own reposting, thank you. If you have any comments or requests, please E-mail them to me at anon584c@nyx.net. All persons here depicted, except public figures depicted as public figures in the background, are figments of my imagination and any resemblance to persons living or dead is strictly coincidental. # # # # Breton-American Collection by Uther Pendragon anon584c@nyx.net - = - - = - Andromeda Spencer Albright 1872 Mythological Scene Oil on canvas 832 x 471 mm. Andromeda is tied naked to a large tree in an otherwise stony and sandy wilderness. Her arms are above her head, her ankles are tied behind the tree; this thrusts her body forward and spreads her legs. To our right is the head and severed neck of a sea serpent. To our left is a stack of Perseus' armor and other impedimenta. Perseus himself is shown in the act of untying his breechcloth. - = - Le Bain des Cousins. [Bath of the Cousins] Unknown 16th ? Century Gold and Enamel Bowl Bowl 120 mm. diameter, 43 mm. deep, with Figures 52 and 44 mm. high The inside of the bowl is covered in black enamel up to ca. 1 cm. of the rim. The 5 cm. figure of the naked boy rests on the enamel to just above his waist. He is naked and slightly erect. The 4.5 cm. figure of the girl, on the opposite side, only has her feet touching the enamel. She is also naked, with her hips and one hand on the rim and the other hand hiding her pudenda. When the bowl contains water up to the level of the enamel, however, the hairless pudenda -- in exquisite detail -- are visible in reflection. The boy seems to be looking at that reflection. - = - La Cascade [The Waterfall] Eduard Denude 1925 Landscape Oil on canvas 732 x 353 mm. A pinkish-brown rock wall, black water streaming unhindered in front of it until it meets two symmetrical, nearly spherical, eruptions of white foam at the bottom of the painting. - = - Dunyazade Asks For a story Spencer Albright 1878 Mythological Scene Oil on canvas 232 x 576 mm. Two girls. One, ca. 15 years old, is lying on a bed. We see only one arm and her head turned to look down that arm. She is open-mouthed in shock or agony. The other, ca. 8, is facing her holding the older girls hand in both of hers. We see her from a little above the waist. There is a tear just starting from her eye. - = - Un Etude Pour <<La Cascade>> [A Study For "The Waterfall"] Eduard Denude 1925 Figure study Charcoal and crayon on paper 152 x 98 mm. A nude woman seen from the back. She holds her long hair up at the back of her head so that the ends just brush the top of her buttocks. Those buttocks are highlighted with swirls of white crayon. Several other partial sketches of the same scene are in the corners of the paper, each with the white highlights. - = - Europa Gerald Bridge 1992 Mythological Scene Acrylic on board 427 x 841 mm. A modern barn. In left center, a naked woman bends over, facing left, supporting herself on a bale of hay. Her large dangling breasts just miss the hay. On the right, a bull sporting an erection approaches her. - = - La Forete [The Forest] Eduard Denude 1919 Landscape Oil on canvas 460 x 392 mm. A symmetric valley leads towards a forested mount. The nearby stone is featureless; the distant mount has contours, but the trees nearly hide them. - = - Die Geschwesteren [The Sisters] Heinrich Geh 1852 Scene Oil on wood 623 x 548 mm. On the right: The edge of a plantation mansion. Leaning out of an upper window is a young woman in elaborate costume and elegantly arranged hair. On the left: a young woman at ground level with her hands tied to a rectangular frame. She is collapsed forwards, and -- by the marks on her back -- has evidently been lashed very recently. Aside from the clothes and hair, the two women are identical; in face, in shape, even in their pose. - = - Incarnadine Robert Jameson 1957 Figure Acrylic and charcoal on canvas 732 x 425 mm. Figure of a supine woman; fully painted from the waist to the knees (at bottom of picture), merely sketched in above the waist, except for two bright nipples. The thighs, although fully painted, are fuzzy as if out of focus. So is a disproportionately large man's hand above the right thigh. In the hand is a paintbrush which is depicted in increasing sharpness towards the tip. This spreads a very thin line of intense red up the center of the woman's pubic thicket. The line has reached about the height of the midpoint of her thighs. - = - La Mariee Heureuse Va Se Laver [The Happy Bride Goes To Wash] Pierre Raimond 1898 Figure Oil on canvas 327 x 318 mm. The view is of a woman's buttocks and thighs, with only enough space above her to show that she is bent over and only enough bed on either side to see that she is leaving it. There is a splash running down her right (far) thigh; it is white, streaked with pink. Another, smaller, drop falls towards that thigh. - = - Modesty John Salway 1963 Figure Acrylic on board 932 x 476 mm. A woman from directly in front. Her head hangs down so that the hair covers her face. Her left arm covers all of her breasts save the swells at the bottom. Her right hand covers her pudenda, except the left top corner of her pubic hair. Below that hand, we see the open end of a condom. It is dangling from her sex. - = - La Muraille [The Wall] Eduard Denude 1928 Landscape Oil on canvas 450 x 260 mm. Featureless, pink-sandstone walls slope upwards on either side. Directly in front is (from bottom to top) a wall of somewhat brighter color than the ones on either side reaching nearly to the center of the canvas, the rounded top of an doorway just seen over the wall, a spout -- as if for rainwater, an elaborate window with a woman in medieval headgear looking out, the domed roof of the building with a few sprigs of ivy crowing on it. The sky is a bright, springtime, blue. - = - Oro [Gold] Lydia Castillo 1938 Figure Oil on canvas 500 x 300 mm. A naked woman lies on a bed, our point of view is from above her head. Her feet are drawn together and near her buttocks; her left knee is on the bed and her right knee is nearly on the bed on the other side. Her hands grip the sheet on either side of her buttocks. Her face is in a grimace which could be pain, could be ecstasy. Through a window at the foot of the bed pours golden light. This concentrates at her groin, and spills off to her left side. At that edge, there are a few golden coins. - = - Prenuptial Coiffeur 1834 Peter Fabian Harem Scene Oil on canvass 1237 x 1981 mm. In the center of a harem scene (as traditionally depicted by 19th century European painters) a woman with quite pale skin lies across two Persian carpets. She is surrounded by women and girls of tints from tan to ebony. None of them wear anything below the neckline. Three of them are dressing the central woman's auburn hair. Several are holding her wrists and ankles. One at each armpit and one at each side of her waist are plucking her hair with tweezers. The ones at her groin are about half done, enough undone to show that she is even redder below than above -- enough done to give us a view of the already plucked lips. These are puffy, slightly spread, and aimed straight at the viewer. - = - The Reason 1974 Trevor Harding Parody Acrylic on board 607 v 607 mm. On the left is a face, despite being turned half away from us and depicted in yellow, it is clearly recognizable as the face from Munch's "Scream." On the right, reaching from the right edge well past the center of the picture, painted in a bright red and looking more plastic than flesh, is an enormous phallus. - = - La Tache [The Task] Eduard Denude 1927 Landscape Oil on canvas 620 x 235 mm. A fissure leads upwards from the viewer on a vertical face of whitish rock. Towards the top of the picture, the fissure is blocked by a boulder of the same sort of rock. A much smaller crevice splits the bottom two thirds of the boulder. - = - La Vallee [The Valley] 1919 Eduard Denude Landscape Oil on canvas 540 x 325 mm. A valley. The sides nearest us are bare and featureless. Over those, we can see another -- verdant -- set of hills on either side. In the center foreground, the far side of a hole or tunnel just beginning. Beyond that, a spring. Beyond the spring, the sides of the valley come together in more intricate folds leading to a verdant hill just at the top of the picture. - = - - = - Breton-American Collection Uther Pendragon anon584c@nyx.net 2001/02/10 An entirely different sort of story is involved in: life.txt "Life Sentence" This "catalog" was originally posted as part of a larger catalog organized by Mat Twassel. http://users.aol.com/myfrthal/JoD/2/1/page1.htm Journal of Desire Winter-Spring 2000-2001 The list of all my stories is at: index.txt

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