-------- ASSTR Standard Headers -------- Author: Altan Title: The on the Train Keywords: exhib nosex Date: June 2001 -------- End of Standard Headers -------- This is a work of erotic fiction. If you are not allowed to read such material, or if such material offends you, please stop reading now.
This is copyrighted (C) June 2001 by Altan. Permission is granted for this to be reproduced and archived in the context of the newsgroup(s) to which it is posted by the author. In addition, the reader is allowed to make copies in electronic format and on paper for his or her personal use only. For all other uses, please consult the copyright statement in http://www.asstr.org/~altan/copyright.html.
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The on the Train (exhib nosex) by Altan
It is a warm summer day and I am taking the train to Philadelphia, meeting a client. I'm making this trip every month now, but this time will be different, a two-day trip. I'm not really looking forward to this; I'd rather be at home tonight. But the client insisted on a two-day session, and according to my boss it is cheaper to get a hotel than to drive up twice.
As usual, I'm far too early, so I put my put down my carrying case with the laptop (I put my change of and underwear in there so that I don't need to carry more luggage around) and start looking around. I love watching people, trying to imagine what they are doing. I always keep an eye out for attractive women, following them with my eyes inconspicuously. Sometimes I get lucky and I find one who is not wearing a bra. Seeing the shape and movement of unconstrained is one of the most beautiful sights in the world.
Today things are slow. The platform is almost deserted. There is a business over at the other end, yapping in his cell phone. A in standard (and very decent) vacation outfit of T-shirt and shorts is studying the timetable. And beyond me, at the very end of the platform, is a woman in business suit. She must be sweating like crazy with all those layers, standing in the hot sun.
I loose myself thinking about business attire, wondering how it came into being and why it is so uncomfortable. I'm wearing a business suit myself, with white and tie. However, I have my jacket folded over my carrying bag, and still I'm hot. I'm hoping the train will come soon.
I don't see her coming out of the station building, but when I look around, there she is. My heart almost skips a beat when I see what she is wearing. Not because of the long white skirt, but because of her T-shirt. It is white, and the bottom half of it is an open mesh, with thin strands and dime-size holes, showing off her brown belly.
While I'm trying not to look, she wanders over to my side of the platform. Getting a closer look confirms what I couldn't believe at first--the open part of her starts right at her breasts, leaving their undersides exposed. Obviously she is not wearing anything underneath.
I try to control my pounding heart when the train rumbles into the station. I pick up my carrying case when she passes me and make sure I'm right behind her when the train comes to a stop. We let a and a woman come out of the train and then she starts to pick up her suitcase, which she had been pulling behind her on its wheels.
"Can I help you with that?" I ask quickly.
She looks at me and smiles. "Yes, please," she says with a soft voice.
I pick up her suitcase and carry it into the train. "Thank you!" she whispers.
Inside, the train is very full, but there is one double seat empty--probably just vacated by the pair who left the train. If she would just pick that seat, I could sit down next to her and maybe manage to get an even better look at her body!
I can hardly believe my luck when she does stop at the double seat. Without thinking I ask, "Do you want your suitcase in the coat rack?" and, after putting it up, sit down next to her.
"Thank you," she says again with a smile and then starts looking out of the window.
* * *
I know I am staring, but it doesn't matter since she is looking the other way. Her dark skin and shoulder-length black hair contrast perfectly with the pure white clothes. Of course, my eyes are drawn like magic to the smooth curves of soft flesh that are visible through her T-shirt.
But before I can think of something to say, the train begins to move and we are leaving the station. When the corridor is empty, she turns and starts to get up.
"Excuse me please," she says and I move my legs to let her pass. Her back passes just in front of me as she squeezes past. But then she turns around and, standing on her toes, reaches up to her suitcase. As she does this, her T-shirt moves up further, exposing even more of her breasts. I catch myself staring right at her nipples!
At that moment, I decide that I have nothing to loose by being bold. I don't know what she is up to, but she must know how much she is showing. Maybe she is purposefully showing off, or she just doesn't care. Either way, I don't think she would be insulted if I let her know I that I enjoy the show.
"I like the way you dress," I say when she sits down again, now with a book she had taken from her suitcase. She just gives me one of her smiles as answer, which I take as encouragement.
"Where are you going?" I ask.
"Philadelphia..."
"So am I," I say. "I'm John. Nice to meet you!"
She smiles again, but does not answer. Instead, she turns to her book and starts reading. I'm not quite sure what to make of that. In the end, I decide she must be afraid to get too close.
All the way to Philadelphia, I keep thinking about this woman and how I would love to see more of her. I try to start a conversation a couple of times, and she is polite and smiles a lot, but she clearly does not want to talk. So I just glance at her while she reads her book.
I nestle myself in the right-hand side of the chair, half turned to the left, so I can easily look past her through the window. My eyes spend most of the time on her, though, rather than on the scenery. At one point, when I've been looking at the shape of her breast through the fabric for over a minute, trying to burn the sight in my memory, I look up and see her looking straight at me. Before I can stammer something, though, she smiles again, raises her arms and stretches. I can't help my eyes dropping down, looking at the T-shirt that has moved up, and at her now completely exposed breasts. But when I look up, she is engulfed in her book again.
Then the train pulls into 30th Street Station. I take her suitcase down for her and she puts her book away. I have less than a minute left before she will walk away, and I'll never see her again. My last chance, I'll have to be completely blunt. But at least she can't hide in her book anymore.
"Do you have anything planned for tonight?" I ask.
"Why?"
I gather all my courage.
"I would like to take you out," I say.
She looks at me while we exit the train. I pick up her suitcase and carry it up the stairs.
"There is this place I would like to go," she says, "but it is frightfully expensive."
My heart is pounding in my throat. Is this real? I can hardly believe it.
"I'll make you a deal," I say. "If you dress more exciting than this, I'll take you anywhere in town you want to go."
"I won't go to bed with you," she warns.
Now it is my turn to smile. "I just want to look," I say. "Just look."
By now we have arrived at the taxi stand in front of the station. She smiles one last time. "Be right here at seven tonight," she says and walks away towards the entrance of the parking garage.
* * *
The meetings are endless today. Actually, they are not worse than usual, but I just can't keep focused. Here is this that definitely flashed her to me, and tonight she is going to dress "more exciting." I'm wondering what that is going to look like. Or maybe she misunderstood me, and she is going to wear one of these so-called sexy outfits that hide more than they reveal. She never asked me what I find exciting...
Finally, five o'clock arrives and I hurry to the hotel. I take a long shower and try to relax. I don't want to be all shaking and sweaty when I meet her. I put on my clean (and send the other one to the hotel's overnight laundry). No jacket or tie--I don't want to be too formal. No underwear either. If she enjoys seeing the effect she has on me, she's welcome to it.
I get to the taxi stop a few minutes before seven, looking all around me. She isn't there yet. Doubt starts creeping into my mind--maybe she wasn't serious. I force myself to calm down, looking at the taxis arriving, trying to see if she is in one of them.
Then, just as I'm trying to peer into the latest arrival, she walks past me. At least, I think it must be her, wearing a long white dress. I feel my heart sinking, this doesn't look very exciting. Admittedly, the thin dress emphasizes her beautiful figure, but it reveals much less than the T-shirt she wore in the train.
"Hi," I say. She turns around and I almost faint.
When she turns, I see that what she is wearing is more like three quarters of a dress--the right-most quarter is missing. There is only a tiny golden chain holding the front and back parts together around her waist. For the rest the dress looks as if it is cut off vertically from her ankle all the way to her shoulder. Half her left leg is bare, and this continues all the way up. Somehow the nipple of her left is covered, but that is exactly as far as the dress goes.
She must have said something but I wasn't paying attention. "Sorry?" I ask
"Is this exciting enough?" she repeats in her soft voice, and I know she must be smiling, but I can't keep my eyes from her body.
"Never mind, I guess it is," she continues and when I finally drag my eyes upward, I see her looking at the bulge in my pants. I almost forgot about that.
She turns around and hails a cab. I have never seen a cab driver getting out of his car so quickly to open the door. She whispers something to him and slides in. I follow her, cursing the fact that I'm now sitting on her dressed side.
She leans back into the seat and seems to relax. I can't think of anything better to say than asking her how she is doing, and she just smiles in response. She obviously isn't a big talker, which is fine with me.
The fifteen minute drive passes in silence, then we stop in front of an mansion in what must be one of the best neighborhoods of Philadelphia. The cab driver jumps out again to help her out of the car, then I give him a 20 dollar bill. I feel like spending tonight.
I make sure I'm on her left side when we walk up to the front door. Before I can ring the bell, the door is opened and a Victorian butler bows for us. "Mr. and Mrs. Jones?" he asks.
Before I can say anything, she nods and we are shown into a large dining room. There are half a dozen tables, some of them occupied. We are led to one of the free tables set for two. Rather than opposite each other, the two places at the table are laid out side by side. I get a feeling this is not accident.
I hold the right-most chair for her, then sit down myself. "You look totally amazing," I say.
"I thought you might like this," she answers. "I always wanted to wear this dress for someone who appreciates it."
We get the menu, but it doesn't have any prices. I guess you don't want to know anyway. I don't care, not tonight. If my boss doesn't approve it as business expense, he can take it out of my pay. I just look at the beautiful woman next to me and realize I have no idea who she is.
"Here we are, and I don't even know your name," I start.
She smiles again. "Names are not important," she says. "What would you want to call me?"
I suddenly think I understand. No names, nothing personal. Just tonight, and then only the memory will be left. I guess that is the best way, since we probably have nothing in common but the enjoyment of her body. I decide not to ask any more personal questions.
"Celeste," I answer. "You are just heavenly!"
She smiles as usual and turns back to study the menu. I pretend to do the same, meanwhile glancing at her. Except for the small golden chain, her side is completely bare. I follow the curve of her leg up, over her hips, to her chest. The fabric of her dress is hugging the top of her breast, but its side is completely uncovered. Then Celeste leans forward a little bit and her dress comes away from her skin. Now, her is hanging there completely exposed--not only for me, but for everyone else in the room to see.
I order something from the menu at random, I have hardly looked at it. While we are waiting for the food, I ask her to tell me about this place. She tells me it is supposedly the best place to eat in town, the place where the rich and go. Then she asks me to excuse her for a moment.
I watch her as she walks across the room. Heads turn when she passes a table, and I see more than one glancing in the direction of the restrooms when she is gone.
When she comes back and sits down, the front of her dress which had been hanging between her legs now slips off her right leg. She keeps her legs slightly apart, allowing me to see between them. I think back to what I said this morning. "Just looking." This is going to be harder than I thought.
We eat, we drink a little bit--only one glass of wine for Celeste, she clearly wants to keep her wits. I don't drink more than two glasses myself, I want to remember this evening for the rest of my life.
When we are finished, I pay with the company credit card. "We will walk a bit," she says, and I can only nod.
She takes my hand and we walk a block down the street. Then she stops and looks me in the eyes.
"You still only want to look?" she asks in a low voice.
"That is what I promised, but it is getting more and more difficult."
She laughs and pulls me towards her. Her hands slide around my back and she presses her hips to me.
"Wow," is all I can say when I get breath again. Then I kiss her just as enthusiastically. Meanwhile, my hand reached inside her dress and is slowly massaging her bottom. She presses herself more strongly to me.
"Let's go somewhere more public," she whispers. I know it is not because she is afraid of the dark street, but because she enjoys making a show of herself.
"The downtown mall doesn't close until midnight," I say. "How do we get there?"
She takes my hand again and we go into a side street. At the other side of the block is a major road and Celeste has no trouble flagging down a cab. Within ten minutes, we are back in downtown.
The mall is still crowded, and many heads turn when we walk by. In front of a display window from Saks Fifth Avenue we stop and draws me close again. I know what she wants, and pulling her dress aside, start massaging here behind. I feel her trembling from the thrill of knowing she is completely exposed now. We only stop when I see a guard walking towards us. I quickly drop her dress back into place and we stroll into the store.
The next time we stop is in front of a game store. The store is empty except for a clerk, a guy probably fresh out of high school. While Celeste is looking at the display, I start kissing her neck and softly stroking her belly. While she pretends to close her eyes, I let my hands move up, massaging her breasts. I see the eyes of the clerk opening wide when her left becomes free. While continuing to caress her left breast, I let my right hand go down and around inside her dress. When I move my hand up to her belly again, I pull the dress aside. The clerk's mouth now falls open at the show in front of his story. I'm sure he wont forget this evening for a long time.
When I stop, Celeste pulls her dress straight, blows a kiss to the (who turns as a beet) and we walk to the food court. I have no idea what she wants there, since we just had an excellent meal, but by now I'm ready for anything.
"This will probably get us thrown out," she whispers while we wait in line. "If I don't see you again, I want to thank you. I had a wonderful evening!"
"So have I," I whisper back, and wonder what she possible can have in mind.
She orders two large ice-cream and two large sodas. She then whispers to me, "You carry these. When I sit down, you stumble and drop it all on me."
The sodas are of the fill-your-own type, and Celeste makes sure she forgets to put a cap on them. Then she walks over to a table, and I follow a little bit behind, making a show of balancing the tray. She sits down and I pretend to bump into one of the tables. The tray tilts, and I drop it all. One of the sodas splashes over her chest, the other in her lap, and the two ice-cream in-between.
Celeste jumps up, catching the little golden chain on the edge of the table. The left shoulder strap snaps, then the chain breaks. This leaves nothing to keep the left side of the dress up. Meanwhile, I grab some napkins, and try to wipe some of the ice-cream off. I manage to push the wet, clinging dress aside, and the ice-cream all around her exposed breast.
Two store employees come over to help. The is too embarrassed to do anything, but the brings more napkins. Celeste starts using them to dry herself, letting her wet dress fall all the way back. It is now hanging only on her right shoulder. Suddenly the dress falls from that last shoulder and she is now standing completely naked in the middle of the food court, with everyone staring at her. A look in her eyes shows me the familiar smile and I know she is enjoying every moment of this.
I suddenly see two security officers coming up, and turn to warn Celeste. But she isn't there anymore, I can just see her "fleeing" into the restrooms. Before I can turn to follow her, the officers are there and I have to explain how this accident could happen. They do not seem to be very amused, and are talking about disturbance of the peace, indecent exposure, and all kinds of other things. I'm wondering how we can prevent getting arrested.
While I'm talking to the officers, I see Celeste coming out of the restroom - dressed in a very modest purple summer dress. She must have had that dress in there all the time, which means that she must have planned this from the start. She winks at me and calmly walks towards the exit. When the female officer goes into the restrooms to search for the "accused," the restroom is empty and there is nothing left for them to do.
I tell the people at the food court to throw away the now ruined evening dress. I only save the little golden chain that had fallen on the floor as a souvenir. Then I walk back to my hotel. Tomorrow will be a boring day...
T H E E N D
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If you enjoyed this story, please let me know. Constructive criticism, serious comments etc. are also greatly appreciated. I can be contacted by Email at altan1@bigfoot.com. Please use the word "STORIES" in the subject line of your Email, since messages not containing that word are automatically filtered as junk mail.
Please check out my Web site at: http://www.asstr.org/~altan/ for more of my work.
Altan
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